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You may ask
yourself: "Why
is it necessary to reface my saxophone mouthpiece? Wasn't it finished
properly in the factory?" This may seem a bit over
the edge, but experience has shown me that most saxophone mouthpieces
need to be hand finished by a master to obtain a balanced, working mouthpiece.
Even some of the 'custom' made mouthpieces sometimes have serious flaws.
Just go to your local music store and test a few mouthpieces of the
same model... and you'll experience the inconsistency... or some would
hardly be playable at all. Common flaws include: flat spots in the facing curve, unbalanced rails, a tip rail that doesn't match the contour of the reed, tables that won't keep a seal with a reed... to mention but a few.
Typical problem : Coarse machine marks on the table and rails of a famous make mouthpiece These flaws cause many problems and might frustrate you, and influence your playing negatively. A few common causes are squeaking, a stuffy feeling with a weak sound, no power or volume, too much resistance, a tone that breaks up when pushed, reeds that start leaking after a few minutes, intonation problems, an uneven tone through the registers and hard to achieve altissimo. These are just the basic problems. The one reason for these
flaws are that mass production doesn't allow the craftsman to spend
enough time finishing one mouthpiece properly. The other reason is that
most of today's craftsmen simply don't have the knowledge and skills
required. Besides a badly finished
mouthpiece, (like most pieces we see), a mouthpiece can also wear out
over time. Because of the constant pounding of the reed, the rails and
especially tip rail wears down after time, losing its accuracy, and
losing its original good sound. Another reason for refacing a mouthpiece is to adjust it to suit an individual's playing style and physics. We all are very different and one man's bread might be another's poison.
A worn out
tip rail on a Broadus alto mouthpiece - before and after refacing "What
is refacing and how is it done?" Refacing is the term used for removing small amounts of material at very specific areas in the mouthpiece. This comes down to fine-tuning the facing and table, the window, baffle and rails - balancing them for optimum performance characteristics (even response and reed friendliness) and sound (even, balanced sound in all registers) After achieving the goals of some top players, I'm confident to say that I can help you reach your goals too. I've learned how different players are and how some use a lot of air and others a lot less. For most of my clients I use a standard set of rules, which gives a balanced sound, with very consistent and even response. In the event that you are a pro player looking for something specific, whether it be an experiment or your personal style, I can achieve that too. __________________________________ Full reface... Reconstructing of the table Reconstructing the facing curve + tip opening (extra fee for changing tip opening) Reshaping the window Reshaping the inner and outer side rails Cutting the baffle to achieve the best overall sound and a full and easy high register. Cutting the tip rail and shaping tip area to match most reeds perfectly. ( 'most' because some reeds are not cut symmetrically (skew) )
Great Neck
NY Brilhart mouthpiece that came to me after someone tried to modify
it...before and after my work.
Full Restoration... Full Reface + Reshaping and finishing of the beak, shank and body. Optional requests welcome... 24K hard gold plating for brass/bronze mouthpieces. I control the whole plating process and I've learnt to evenly plate a mouthpiece by the correct placement of the anodes. This ensures no changes in accuracy after plating. This service is only available with the full restoration. Full restoration - Florida STM Link, incl. refacing, new green biteplate, 24K gold plating Prices... Full Reface...
Extra...
Complete Restoration...
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